
About
The World Jewish Philharmonic & Maestro Gergely Madaras
The Social and Cultural Association of Jews in Poland is the organizer of the international educational and cultural project, World Jewish Philharmonic & Maestro Gergely Madaras. It is part of the Artistic Education Program of the Polish Presidency of the European Union 2025, co-financed by the Polish Minister of Culture and National Heritage from the Cultural Promotion Fund – a state earmarked fund.
This unique program will take place in Wrocław from June 14 to June 20, 2025. It is the first initiative of its kind, aimed at students and graduates of artistic education institutions of Jewish descent from Poland, other European countries, Israel, the United States, and Asia.
A group of 80 exceptionally talented artists, selected through a competitive process, will undergo intensive training for five days under the guidance of an international faculty of professors, concertmasters from world-renowned orchestras, and the distinguished conductor Maestro Gergely Madaras. The project will culminate in a prestigious World Jewish Philharmonic concert in Wrocław at the exceptional National Forum of Music, featuring world-famous soloists: soprano Aleksandra Kurzak, violinist Guy Braunstein, mandolinist Avi Avital, and clarinetist Giora Feidman.
The significance of this event and its extensive international media campaign will directly contribute to the promotion of Wrocław and the entire Lower Silesia region. The planned concert and skill-enhancing workshops, conducted as part of the program, not only serve educational purposes but also align with contemporary cultural life. For young participants, this experience will be a crucial step in shaping their artistic identity and an important milestone in launching their professional careers. They will have the opportunity to learn from top-tier experts, including university professors. A key aspect of this project, in line with the priorities of Poland’s cultural policy during its EU Presidency, is the involvement of international experts and the inclusion of students and graduates from abroad, particularly from EU member states. The World Jewish Philharmonic is an event that commemorates significant figures in Polish culture (world-famous Jewish composers of Polish origin) while also promoting and supporting cultural development, including Jewish culture, which is deeply intertwined with Poland, Wrocław, and many other European countries within the EU. Jewish culture was once an integral part of Polish culture, coexisting and intermingling with it. Today, its traces are not as easily found. The dramatic and tragic events of the 20th century have left the most tangible and material remnants of the Jewish community in the form of relics of extermination camps. Yet, Jewish culture, especially in music, remains vibrant and inspiring. Jews are the only nation whose culture has survived for 4,000 years, as Judaism is not just a religion but also a system of beliefs, ethical values, and traditions that have been preserved and passed down through generations in an unaltered form. Jewish tradition is incredibly rich, dating back to antiquity, where elements that became fundamental to the development of European music first emerged. Some aspects, such as the performance of liturgical chants, have remained nearly unchanged to this day. Since many European cultures have drawn from Jewish traditions and heritage, it is clear that these influences should be recognized and preserved. Poland has played a significant role in Jewish history. From the 16th century until 1939, it was home to some of the most important and largest centers of Judaism—initially in Kraków and Lublin, later expanding to Vilnius, Brest, and Warsaw. After World War II, Wrocław and much of Lower Silesia became home to thousands of Jews, including Holocaust survivors, repatriates from the Eastern Borderlands, and former prisoners of the Gross-Rosen concentration camp and its numerous subcamps in the region. Many Jews from the Soviet Union and other parts of Poland also settled in Lower Silesia. This large-scale Jewish settlement was a unique phenomenon in a country rebuilding from wartime devastation. The ethnic exchange of populations in these areas allowed for postwar life to be reconstructed away from personal traumas. It is estimated that 100,000 Jews settled in the region after the war. However, after a brief period of dynamic development, the Jewish community in Lower Silesia experienced a sharp decline. Between 1949 and 1969, increasing oppression and restrictions on Jewish residents led to the collapse of Jewish social life, cultural decline, and the disintegration of Jewish institutions and organizations. By the 1970s, Jewish life in Wrocław had nearly disappeared. A major blow to the religious Jewish community was the nationalization of the White Stork Synagogue in 1974. The secular Jewish community also faced difficulties—after 1972, the communist authorities no longer supported the expansion of the Social and Cultural Association of Jews, leading to a drastic decline in the activities of the only secular Jewish organization over the next two decades. The Wrocław branch of the Social and Cultural Association of Jews in Poland has been active since 1950. The organization aims to cultivate secular Jewish culture, organize commemorative events, conduct lectures and language courses, and commemorate significant anniversaries and the history of Jews after World War II. The revival of Jewish life could not occur without acknowledging the history of German Wrocław. Polish Jews who settled there after the war and chose not to emigrate began rebuilding their community after the fall of communism. Naturally, they drew from the heritage of German Jews, including their material legacy. As a result, the culture of Wrocław’s Jews differs from that of Jews from eastern Poland—evident in cemeteries, synagogues, and terminology. This makes the contemporary Jewish experience in Wrocław unique within Poland, blending Jewish, Polish, and German cultural influences. Today, approximately 7,500 Jews live in Poland, with only about 550 residing in Wrocław, the host city of the event. However, the Jewish community has been present in Wrocław since the Middle Ages and was once one of the largest Jewish settlements in this part of Europe. Jewish culture is currently experiencing a resurgence of interest, and Wrocław is home to numerous organizations and initiatives that promote it. A crucial aspect of this project is collaboration, aimed at enabling graduates to enhance their qualifications for a successful transition into the job market, gain experience in an international environment under the mentorship of outstanding teachers, educators, soloists, and the conductor. Participation in this project will provide a strong foundation for young musicians, equipping them with the credentials to apply for positions in orchestras, philharmonics, and music theaters worldwide. It will also foster networking opportunities with educators and peers, potentially leading to innovative projects and artistic endeavors. Music enthusiasts will have the rare opportunity to witness performers on one stage who do not typically collaborate. This will be a truly unique and groundbreaking event. The project also ensures accessibility for individuals with special needs. The National Forum of Music is free of architectural barriers, offering full accessibility via all modes of transportation. Wrocław is well-connected with an airport, railway, and road networks, as well as an environmentally friendly public transport system, including city bikes. Ensuring the inclusion of people with disabilities in cultural life contributes to building a more just, sustainable, and inclusive society. This, in turn, makes culture more inspiring and representative of the diversity of human experiences. It is therefore essential to host cultural events in accessible venues equipped with appropriate facilities to ensure inclusivity.
The Social and Cultural Association of Jews in Poland
The Social and Cultural Society of Jews in Poland (TSKŻ) was established on October 29, 1950, through the merger of the Central Committee of Jews in Poland and the Jewish Cultural Society.
The few Jews who survived the Holocaust faced a difficult dilemma: to emigrate or to stay in Poland? Neither decision was easy. A great deal of respect is owed to the people of that generation, who, despite being isolated and deeply scarred, were willing to rebuild Jewish life in Poland. This was not only the case for those who combined their leftist views with the construction of socialism but also, and most importantly, for those who considered Poland their homeland in the full sense of the word. They were a tragic generation, longing to persist, love, and build a new life in a new reality. They wanted to be Jews, maintaining their national identity, and also Poles. TSKŻ became a refuge where Jews could cultivate their national identity. Despite the shadow of the Holocaust, new life was becoming a reality.
Among the many aspects of TSKŻ’s activities, one of the priorities was preserving the continuity of Yiddish culture and language by publishing books and newspapers and commemorating the most significant figures in Jewish culture. Acknowledging the reality of complete assimilation among Jewish youth, one of the activists, Bernard Mark, expressed his perspective: “It is not about the youth speaking the Jewish language—it is about their having the right attitude toward it.” Nevertheless, Yiddish naturally thrived on the stages of Jewish theaters, both professional and amateur, operating within TSKŻ, as well as in the libraries and reading circles it managed. TSKŻ continued the work of the Central Committee of Jews in Poland, which, in the immediate post-war period, provided Holocaust survivors with resources to search for their loved ones. The connections formed during that time helped consolidate the community. Jews met in TSKŻ clubs not only on special occasions but also in their daily lives. Every member of the association likely remembers club regulars playing cards, chess, and dominoes, discussing daily events—these gatherings became a cherished ritual. The clubs welcomed not only members but also unaffiliated Jews and friendly Poles. Throughout its 75 years of activity, TSKŻ has not only focused on club activities but has also been open to collaboration with other organizations and institutions. It has supported and continues to support valuable social initiatives aimed at strengthening the role of Jewish culture. By creating cultural and social projects, it provides financial support for publications, exhibitions, museums, and libraries. TSKŻ also maintains ties with the emigrants of March 1968. TSKŻ feels a profound responsibility to preserve the memory of the Holocaust tragedy, a mission it has pursued since its inception. The most important anniversary it safeguards is the commemoration of the Warsaw Ghetto Uprising. Each year, members of TSKŻ gather at the monument in Warsaw’s Muranów district to pay tribute to the heroic insurgents. TSKŻ branches also participate in commemorative events at former Nazi extermination camps, as well as in the remembrance of the Kielce pogrom and Kristallnacht. Since 2011, TSKŻ has organized the annual “Days of Remembrance” in Łódź, as part of the International Holocaust Remembrance Day observances. Recognizing the small number of Jews living in Poland today, TSKŻ places particular emphasis on integration activities, which it views as a duty. A key element of its efforts is maintaining traditions in a modern sense, exemplified by the communal celebration of holidays. One of the most popular events is the Grand Family Picnic at “Śródborowianka,” organized on the occasion of Israel’s Independence Day, providing an opportunity for TSKŻ members from branches across Poland to come together. Currently, TSKŻ operates 14 branches. The political transformation of 1989 brought significant changes to the Jewish community as new organizations and individuals emerged. In this context, TSKŻ remains the largest Jewish organization in Poland, with an extensive infrastructure and decades of experience serving the Jewish community. For its members and supporters, TSKŻ publishes the only bilingual socio-cultural monthly magazine in Poland, “Słowo Żydowskie / Dos Jidisze Wort,” available in both Polish and Yiddish. The organization is led by a nine-member Main Board, elected by the General Assembly of Delegates. The Board also coordinates the work of TSKŻ branches, each of which has its own local leadership. Additionally, TSKŻ manages its own Training and Recreation Center, “Śródborowianka,” located in Otwock, surrounded by pine forests on the edge of the Mazovian Landscape Park. This center serves as a regular meeting place for the Jewish community from across the country and welcomes many Jews who once left Poland, particularly during the summer. The center plays a vital role in integrating the dispersed Jewish community. Although the Jewish community in Poland today is not as numerous as it once was, it still has many goals and tasks to accomplish. The centuries-long Jewish presence in Polish lands has forged significant bonds between Jewish and Polish cultures. Preserving and maintaining the cultural heritage of Polish Jews is of utmost importance, as is the continued development and promotion of Jewish culture among both Jews and Poles. Contributing to this process remains the primary mission of the Social and Cultural Society of Jews in Poland.
Meet the Team

Artur Hofman
President | The Social and Cultural Association of Jews in Poland
A graduate of the Directing Department at the Warsaw PWST (State Higher School of Theatre). From 1993 to 1998, he was a full-time director at the Szczecin Opera and Operetta, and from 2003 to 2008, he worked as a director at the Jewish Theatre in Warsaw. He has collaborated with numerous theaters across Poland, worked with Television Theatre, and created entertainment programs for both public and commercial television stations.
His portfolio includes the direction of over 50 theatrical productions (operas, operettas, musicals, and dramatic performances), 9 Television Theatre productions, and 4 documentary films, including "Jakub Rotbaum" and "The Church in Hell". His recent works include the Television Theatre production "A Window to the Other Side" and the play "T. de. Ł The Insatiable", which tells the story of the queen of Art Deco, Tamara Łempicka.
He is the President of the Social and Cultural Association of Jews in Poland and the editor-in-chief of the monthly magazine "Słowo Żydowskie", Since 2024, he has been the creator (director and screenwriter) of the program "Jewish Mosaic", broadcast by TVP. He serves as a representative of the Jewish minority in the Joint Commission of the Government and National and Ethnic Minorities and as Vice-Chairman of the POLIN Museum Council. Additionally, he is a member of the International Auschwitz Council and the Warsaw Ghetto Museum Council.

Founder and Artistic Director | World Jewish Philharmonic
Marlena Grodzicka-Myślak is a cultural manager and a Master of Arts in musical performance, specializing in viola. She is a graduate of the Karol Lipiński Academy of Music in Wrocław and the Fryderyk Chopin University of Music in Warsaw, where she studied under Professor Stefan Kamasa. Her exceptional musical artistry has been shaped through collaboration with many distinguished figures in the European music scene. Her educational journey includes prestigious institutions such as the "School of Talents" in Poznań, the Academy of Music in Warsaw, and the Cologne University of Music. She has further honed her skills through masterclasses with renowned professors, including Wolfgang Klos, Paul Urstein, Mathias Buchholz, Jerzy Kosmala, and Tadeusz Gadzina. Read her full bio here.

Program Coordinator
Dorota Piotrowska graduated from The New School of Jazz and Contemporary Music in New York specializing in jazz drumming, as well as the Colin Powell School for Civic and Global Leadership, New York. She founded her own educational program in Poland, becoming the Artistic Director of the international workshops New York Jazz Masters. She has shared the stage with musicians such as Jeremy Pelt, Steve Carrington, Luques and Zaccai Curtis, Jazzmeia Horn, Stacy Dillard, Caecilie Norby, Ewa Uryga, and many others.

Magdalena Wcisło
Grant Manager
Magdalena Wcisło is a graduate of the Wrocław University of Economics and several postgraduate programs related to the management of EU co-financed projects. She is a consultant, analytical specialist, and project coordinator.
On a daily basis, she specializes in securing grants for investment projects in the field of culture and cultural events, funded by the European Union, the Minister of Culture, EEA financial mechanisms, and targeted grants from the Mayor of Wrocław.
She has been involved in numerous concert organization projects in collaboration with Marlena Grodzicka-Myślak under grants from the Mayor of Wrocław. With extensive experience in project management and financial settlement, she has been actively engaged for years with the Polish Theatre in Wrocław, the Helena Modrzejewska Theatre in Legnica, and many other cultural institutions in Lower Silesia."

Media Producer
Luc Kordas is an independent photographer specializing in street, portrait, and documentary photography, as well as video production. He lived in New York for 10 years, working primarily with artists on both commercial and personal projects. His latest project focuses on everyday life in Poland, capturing people and places from a unique, intuitive perspective. He is the author of the photo book New York Unseen. He lives and works in Wrocław.

Graphic Designer
Joanna is a seasoned graphic designer with many years of experience. She spent a significant part of her career at an advertising agency, where she developed visual concepts for leading national brands. For over eight years, she has specialized in designing posters for music concerts. Her work blends expert graphic design with a passion for traditional drawing, resulting in unique, handcrafted compositions. Inspired by nature and guided by a deep sensitivity to her surroundings, Joanna’s designs are known for their subtlety, refined sense of form, and meticulous attention to detail. Her creative process is both intuitive and intentional—firmly rooted in aesthetics, yet always emotionally resonant. Visit her Instagram profile for more information.